representation of woman's image in miniatures from the berlas khamseh according to bordio theory square

نویسندگان

فاطمه شیرازی

کارشناسی ارشد دانشگاه هنر اصفهان زینب صابر

استادیار دانشکدۀ صنایع دستی دانشگاه هنر اصفهان محمد رضا حسنی

استاد دانشکدۀ هنر و معماری دانشگاه سیستان و بلوچستان

چکیده

since eighth century, much attention has been given by painters on khamseh works due its romantic and lyric stories. female is a heroine or she has a significant role in most of khamseh works, that show its contributions on nezamis works. unlike common negative view about women in society, nezami considered a high social level for them. in the different periods these stories, especially lily and majnoon, khosrow and shirin and haftgonbad bahram'gour in which women presence are highlight, attention painters and illustration become located. by reviewing and analyzing images of women in the khamseh of different periods can be sociocultural context as well as the status of women at any time.therefore, the study the image of women in the versions illustrated, can be paid to reviews the status of women in different periods. in the present study, the female representation in khamseh works has been investigated based on berlas khamseh (ninth century), according to bordio art sociology and female xepre sentation. theory on artistic creations. the conclusion,is that females views are more affected by public society and public culture in berlas khamseh due to behzads artistic style and his attention to social realism. theory on artistic creations. the conclusion,is that females views are more affected by public society and public culture in berlas khamseh due to behzads artistic style and his attention to social realism.

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عنوان ژورنال:
زن در فرهنگ و هنر

جلد ۸، شماره ۳، صفحات ۳۷۱-۳۹۴

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